Scufflism
Wednesday, February 6, 2013
Wednesday, February 22, 2012
Werewolf with a Mullet
Down there at the Lizard Lounge
There come this man, just got to town
Takes off his coat, an’ he throws it down
Says "ever’body, now come around"
"I got a little tune, I’m gonna sing it for you
I’ll teach you all to play it, you can sing along, too
It’s got some of that good ol' country blues
Tell the women 'go put on your best dancin’ shoes'"
Business in the front
Party in the back
He's a werewolf with a mullet
He's an insane, crazy thing, howlin' at the moon
You can kill ’im with a silver bullet
After playin’ his first song
The werewolf went to the bar
An’ he ordered one whiskey
from the mason jar
He started snortin’ and a growlin’
You could hear it from afar
And then he howled at the moon
Just like a werewolf star
When he played his music
the people started to change
Their faces got all twisted
and their eyes got deranged
I’m tellin’ you, man
that it sure was strange
So I took a silver bullet
to the shootin’ range
Business in the front and the party's in the back
He's a werewolf with a mullet
He's an insane, crazy thing, howlin' at the moon
You can kill 'im with a silver bullet
I waited until the next full moon
then I came with the sheriff
and his pig platoon
We laughed as we walked
int the old saloon
We thought, man, for sure
This'll be his last tune
We surrounded that wolf
An' said “get yer paws up!”
But the wolf just asked for whiskey
and he threw back a cup
the wolf looked at the sheriff
and he said real cool
“man…can’t we just shoot
a goddamn game o' pool?”
Business in the front
and the party's in the back
He's a werewolf with a mullet
He's an insane, crazy thing,
howlin' at the moon
You can kill ‘im with a silver bullet
I always tell the truth
I never tell no lies
but the wolf snarled at the sheriff
and it took me by surprise
but the sheriff, he got scared
You could see it in his eyes
The sheriff pissed his pants
And he ran outta town
the wolf just laughed
an' howled
you could hear it all around
All the people turned their heads
It was a beautiful sound
Now we gotta werewolf mayor
in a werewolf town
Business in the front
Party in the back
He's a werewolf with a mullet
when you're in town, please remember,
to recycle all your silver bullets
There come this man, just got to town
Takes off his coat, an’ he throws it down
Says "ever’body, now come around"
"I got a little tune, I’m gonna sing it for you
I’ll teach you all to play it, you can sing along, too
It’s got some of that good ol' country blues
Tell the women 'go put on your best dancin’ shoes'"
Business in the front
Party in the back
He's a werewolf with a mullet
He's an insane, crazy thing, howlin' at the moon
You can kill ’im with a silver bullet
After playin’ his first song
The werewolf went to the bar
An’ he ordered one whiskey
from the mason jar
He started snortin’ and a growlin’
You could hear it from afar
And then he howled at the moon
Just like a werewolf star
When he played his music
the people started to change
Their faces got all twisted
and their eyes got deranged
I’m tellin’ you, man
that it sure was strange
So I took a silver bullet
to the shootin’ range
Business in the front and the party's in the back
He's a werewolf with a mullet
He's an insane, crazy thing, howlin' at the moon
You can kill 'im with a silver bullet
I waited until the next full moon
then I came with the sheriff
and his pig platoon
We laughed as we walked
int the old saloon
We thought, man, for sure
This'll be his last tune
We surrounded that wolf
An' said “get yer paws up!”
But the wolf just asked for whiskey
and he threw back a cup
the wolf looked at the sheriff
and he said real cool
“man…can’t we just shoot
a goddamn game o' pool?”
Business in the front
and the party's in the back
He's a werewolf with a mullet
He's an insane, crazy thing,
howlin' at the moon
You can kill ‘im with a silver bullet
I always tell the truth
I never tell no lies
but the wolf snarled at the sheriff
and it took me by surprise
but the sheriff, he got scared
You could see it in his eyes
The sheriff pissed his pants
And he ran outta town
the wolf just laughed
an' howled
you could hear it all around
All the people turned their heads
It was a beautiful sound
Now we gotta werewolf mayor
in a werewolf town
Business in the front
Party in the back
He's a werewolf with a mullet
when you're in town, please remember,
to recycle all your silver bullets
Wednesday, January 25, 2012
Tell it to the Constable
A real Johnny Scuffles classic...
She liked smokin' menthol cigarettes
Said that their taste was smooth
Had a sister named Marguerite
Them chicks was always on the move
Well, I remember them tinted windows
On her beat up ol’ Pontiac
And ever' time the cold wind blows
I want my Rhonda back
Mini skirts in Texas
Stockings down to Tennessee
Babe, I ain't got no exes
I got a long list o’ tragedy
So you can tell it to the Constable
You can say your prayers to him
So that I can have my sacrament
Of bitters, lime, and gin
Well, I keep my pills in a tin box
An' I got just one sock on
I thought that baby was a tiger
But she turned out to be a fox-trot con
And, no, I didn't see it comin'
No, not till my money was gone
And so I smoked my last cigarette
And I passed out at dawn
You know, them mini skirts in Texas
Them stockins down in Tennessee
Babe, I ain't got exes
But I got a long list o’ tragedy
So you can tell it to the Constable
Yeah, you can say your prayers to him
So that I can have my sacrament
Of bitters, lime, and gin
Convicted early one mornin'
They released me later that night
Was shipped to a mental institution
Where them drinks is just alright
You can see the bottom of a stiff one
You can drink until your blind
But, man, you go with that damn pretty lady
An' you're bound to lose your mind
And them blues is all you'll find
Yeah them blues is all you'll find
So go tell it to the Constable
And just say your prayers to him
So that I can have my sacrament
Of bitters, lime…and gin
She liked smokin' menthol cigarettes
Said that their taste was smooth
Had a sister named Marguerite
Them chicks was always on the move
Well, I remember them tinted windows
On her beat up ol’ Pontiac
And ever' time the cold wind blows
I want my Rhonda back
Mini skirts in Texas
Stockings down to Tennessee
Babe, I ain't got no exes
I got a long list o’ tragedy
So you can tell it to the Constable
You can say your prayers to him
So that I can have my sacrament
Of bitters, lime, and gin
Well, I keep my pills in a tin box
An' I got just one sock on
I thought that baby was a tiger
But she turned out to be a fox-trot con
And, no, I didn't see it comin'
No, not till my money was gone
And so I smoked my last cigarette
And I passed out at dawn
You know, them mini skirts in Texas
Them stockins down in Tennessee
Babe, I ain't got exes
But I got a long list o’ tragedy
So you can tell it to the Constable
Yeah, you can say your prayers to him
So that I can have my sacrament
Of bitters, lime, and gin
Convicted early one mornin'
They released me later that night
Was shipped to a mental institution
Where them drinks is just alright
You can see the bottom of a stiff one
You can drink until your blind
But, man, you go with that damn pretty lady
An' you're bound to lose your mind
And them blues is all you'll find
Yeah them blues is all you'll find
So go tell it to the Constable
And just say your prayers to him
So that I can have my sacrament
Of bitters, lime…and gin
Sunday, January 22, 2012
Socratic Dialogue on the Existence of Scuffles
Below is an e-mail exchange between the author of this blog and the author’s friend, whose first name happens to be “Socrates”. It nicely summarizes the purpose of this blog and the underlying work from which much of this blog’s material is taken:
>>>>>
>>>>>
>>>>>
>>>>> On Jan 20, 2012, at 7:50 PM, ______ < <_____@gmail.com>
>>>>> ______@gmail.com> wrote:
>>>>>
>>>>> I do not normally do this, but there is a new musician named Johnny
>>>>> Scuffles whom I discovered and who seems interesting. He has a blog,
>>>>> though
>>>>> it's not completely functional. For some reason he's huge in
>>>>> Almaty and
>>>>> Gdańsk. Apparently he's got some appeal for Kazakhs and Eastern
>>>>> Bloc hipsters who know of him.
>>>>>
>>>>> The link is:
>>>>> <http://johnnyscuffles.blogspot.com><http://johnnyscuffles.blogspot.com
>>>>>>
>>>>> johnnyscuffles.blogspot.com
>>>>>
>>>>>
>>>>>
>>>>> On Jan 20, 2012, at 7:50 PM, ______ < <_____@gmail.com>
>>>>> ______@gmail.com> wrote:
>>>>>
>>>>> I do not normally do this, but there is a new musician named Johnny
>>>>> Scuffles whom I discovered and who seems interesting. He has a blog,
>>>>> though
>>>>> it's not completely functional. For some reason he's huge in
>>>>> Almaty and
>>>>> Gdańsk. Apparently he's got some appeal for Kazakhs and Eastern
>>>>> Bloc hipsters who know of him.
>>>>>
>>>>> The link is:
>>>>> <http://johnnyscuffles.blogspot.com><http://johnnyscuffles.blogspot.com
>>>>>>
>>>>> johnnyscuffles.blogspot.com
>>>>> On Jan 20, 2012, at 8:27 PM, Socrates <______@gmail.com> wrote:
>>>>> Stfu!!!!
>>>>> Stfu!!!!
>>>> On Sat, Jan 21, 2012 at 12:19 PM, ______
>>>> <______@gmail.com> wrote:>>>>> Haha...I have another, too:
>>>>>
>>>>> Werehuahua.blogspot.com
>>>>>
>>>>> Sent from my iPhone
>>> On 1/21/12, socrates <______@gmail.com> wrote:
>>>> you are hilarious. love that johnny scuffles still exists.
>>>> you are hilarious. love that johnny scuffles still exists.
>> On Jan 21, 2012, at 7:43 PM, _____ wrote:
>>
>>> S____!! I quoted your e-mail directly below and then responded with a
>>> Socratic Dialogue...have some patience, because this may be the best
>>> of all possible e-mail exchanges if an e-mail exchange were used to
>>> introduce the central theme of my novel...that's why I copied ____,
>>> ___, and ____: because I thought they would find it hilarious:
>>>
>>>
>>>
>>> On 1/21/12, socrates <____@gmail.com> wrote:
>>>> you are hilarious. love that johnny scuffles still exists.
>>>
>>> Still exists? But Socrates, you must be using the Socratic Method!
>>>
>>> Johnny Scuffles is the central character within my novel [which I MUST
>>> finish no later than June 24, 2012, as I refuse to turn 30 without
>>> having finished: I will go so far as to stop all of time if I must!],
>>> *Scuffles and the Stained Strumpet*. The novel, of course, is a
>>> fiction, but Scuffles is a fictional rock star within the "fictional
>>> reality" of my novel. He is [to be, or not to be?] a rock star wholly
>>> invented by the central characters [fictional, of course, but very
>>> real within my fiction], but he takes on a life of his own, a real
>>> life, within the fictional universe.
>>>
>>> So...I see where you were going with your comment: "love that johnny
>>> scuffles still exists"! Great Socrates, what you have given me is a
>>> simplified Socratic Dialogue:
>>>
>>> Socrates: "Does Johnny Scuffles still exist?"
>>>
>>> Disciple: "Johnny Scuffles never existed. I invented Morgan,
>>> Brooklyn Gordon, Cornelius Coldwater IV, and Valkyn Kyrll, who then
>>> invented Johnny Scuffles as a fictional rock star who never really
>>> lived. They published his fictional biography and his lyrics, but
>>> there was never any music and never a live Johnny Scuffles, even
>>> though their ruse tricked the world."
>>>
>>> Socrates: "People all over the world sang his songs, always in the
>>> same melody, and Scufflemania became a global craze, and Morgan had to
>>> kill 'Johnny Scuffles the Idea' in order to become 'Morgan the
>>> Person', before later being recognized as the Mayan god Ah Tupp Kabal
>>> in a Guatemalan fishing village where he spent the rest of life. Did
>>> Morgan ever exist?"
>>>
>>> Disciple: "Yes, Morgan existed, but only in the novel."
>>>
>>> Socrates: "Does Morgan exist within the fiction, even though he,
>>> himself, is a fiction?"
>>>
>>> Disciple: "Within the fiction, yes, I suppose he can exist."
>>>
>>> Socrates: "For so long as the words exists, does Morgan still exist?"
>>>
>>> Disciple: "Yes, for so long as the words exist, Morgan still
>>> exists."
>>>
>>> Socrates: "For so long as the words which created Morgan still exist,
>>> do Morgan's words create Johnny Scuffles?"
>>>
>>> Disciple Chris: "Morgan's words, the words which created Johnny
>>> Scuffles, for so long as they exist, those words create Johnny
>>> Scuffles."
>>>
>>> Socrates: "Do those words still exist?"
>>>
>>> Disciple: "Yes."
>>>
>>> Socrates: "Does Johnny Scuffles still exist?"
>>>
>>> Disciple: "Yes, Johnny Scuffles still exists."
>>>
>>> Socrates: "Did you finish the novel?"
>>>
>>> Disciple: "No, not yet."
>>>
>>> Socrates: "So finish the fucking novel already! You've been talking
>>> about it for 10 years and now you're blogging about it? FINISH THE
>>> FUCKING NOVEL!"
>>>
>>> Disciple: "I will, oh wise pedagogue!"
>>>
>>> xoxo
>>> Chris
>>>
>>> PS: if I redact our last names and e-mail addresses, can I post this
>>> e-mail exchange on my blog????
>>
>>> S____!! I quoted your e-mail directly below and then responded with a
>>> Socratic Dialogue...have some patience, because this may be the best
>>> of all possible e-mail exchanges if an e-mail exchange were used to
>>> introduce the central theme of my novel...that's why I copied ____,
>>> ___, and ____: because I thought they would find it hilarious:
>>>
>>>
>>>
>>> On 1/21/12, socrates <____@gmail.com> wrote:
>>>> you are hilarious. love that johnny scuffles still exists.
>>>
>>> Still exists? But Socrates, you must be using the Socratic Method!
>>>
>>> Johnny Scuffles is the central character within my novel [which I MUST
>>> finish no later than June 24, 2012, as I refuse to turn 30 without
>>> having finished: I will go so far as to stop all of time if I must!],
>>> *Scuffles and the Stained Strumpet*. The novel, of course, is a
>>> fiction, but Scuffles is a fictional rock star within the "fictional
>>> reality" of my novel. He is [to be, or not to be?] a rock star wholly
>>> invented by the central characters [fictional, of course, but very
>>> real within my fiction], but he takes on a life of his own, a real
>>> life, within the fictional universe.
>>>
>>> So...I see where you were going with your comment: "love that johnny
>>> scuffles still exists"! Great Socrates, what you have given me is a
>>> simplified Socratic Dialogue:
>>>
>>> Socrates: "Does Johnny Scuffles still exist?"
>>>
>>> Disciple: "Johnny Scuffles never existed. I invented Morgan,
>>> Brooklyn Gordon, Cornelius Coldwater IV, and Valkyn Kyrll, who then
>>> invented Johnny Scuffles as a fictional rock star who never really
>>> lived. They published his fictional biography and his lyrics, but
>>> there was never any music and never a live Johnny Scuffles, even
>>> though their ruse tricked the world."
>>>
>>> Socrates: "People all over the world sang his songs, always in the
>>> same melody, and Scufflemania became a global craze, and Morgan had to
>>> kill 'Johnny Scuffles the Idea' in order to become 'Morgan the
>>> Person', before later being recognized as the Mayan god Ah Tupp Kabal
>>> in a Guatemalan fishing village where he spent the rest of life. Did
>>> Morgan ever exist?"
>>>
>>> Disciple: "Yes, Morgan existed, but only in the novel."
>>>
>>> Socrates: "Does Morgan exist within the fiction, even though he,
>>> himself, is a fiction?"
>>>
>>> Disciple: "Within the fiction, yes, I suppose he can exist."
>>>
>>> Socrates: "For so long as the words exists, does Morgan still exist?"
>>>
>>> Disciple: "Yes, for so long as the words exist, Morgan still
>>> exists."
>>>
>>> Socrates: "For so long as the words which created Morgan still exist,
>>> do Morgan's words create Johnny Scuffles?"
>>>
>>> Disciple Chris: "Morgan's words, the words which created Johnny
>>> Scuffles, for so long as they exist, those words create Johnny
>>> Scuffles."
>>>
>>> Socrates: "Do those words still exist?"
>>>
>>> Disciple: "Yes."
>>>
>>> Socrates: "Does Johnny Scuffles still exist?"
>>>
>>> Disciple: "Yes, Johnny Scuffles still exists."
>>>
>>> Socrates: "Did you finish the novel?"
>>>
>>> Disciple: "No, not yet."
>>>
>>> Socrates: "So finish the fucking novel already! You've been talking
>>> about it for 10 years and now you're blogging about it? FINISH THE
>>> FUCKING NOVEL!"
>>>
>>> Disciple: "I will, oh wise pedagogue!"
>>>
>>> xoxo
>>> Chris
>>>
>>> PS: if I redact our last names and e-mail addresses, can I post this
>>> e-mail exchange on my blog????
> On 1/21/12, E____ <e@____.com.> wrote:
>> ....is writing the novel a fiction?
>>
On Jan 21, 2012, at 9:24 PM, ____ <______@gmail.com> wrote:
> Everything is a fiction, remember? No...writing the novel probably
> was a fiction before I realized how miserable my life would be without
> writing. I do "lawyering" and I bleed fiction. I guess a lot of
> lawyers bleed bullshit (no offense,_____), but not many people bleed
> for fiction, so maybe that's what I mean.
>
> “If I could stick my pen in my heart, and spill [blood and ink] all
> over the stage, would it satisfy ya? Would it slide on by ya? Would
> you think the boy is strange? Ain't he strange?”
>
> --from "It's Only Rock 'n' Roll (But I like It)" by the Rolling Stones
>
>> ....is writing the novel a fiction?
>>
On Jan 21, 2012, at 9:24 PM, ____ <______@gmail.com> wrote:
> Everything is a fiction, remember? No...writing the novel probably
> was a fiction before I realized how miserable my life would be without
> writing. I do "lawyering" and I bleed fiction. I guess a lot of
> lawyers bleed bullshit (no offense,_____), but not many people bleed
> for fiction, so maybe that's what I mean.
>
> “If I could stick my pen in my heart, and spill [blood and ink] all
> over the stage, would it satisfy ya? Would it slide on by ya? Would
> you think the boy is strange? Ain't he strange?”
>
> --from "It's Only Rock 'n' Roll (But I like It)" by the Rolling Stones
>
If Socrates, the person, acknowledges that his predecessor, Socrates, was not only a reality but also a fiction, wouldn't it be fair for Socrates, the person, to acknowledge the inherent right of Johnny scuffles (aka Ah Tupp Kabal) to exist not only as a reality but also a fiction within or outside of a novel?
Ps: you may take that as my approval to redact names and post this conversation to your blog about the fictitious reality of novel subjects
Ps: you may take that as my approval to redact names and post this conversation to your blog about the fictitious reality of novel subjects
Saturday, January 21, 2012
Sunday, January 15, 2012
Giantess
Man with Giantess, Starbucks on Melrose, Los Angeles, CA circa 2008
Gottfried Helnwein, "Lulu", 1988
Gottfried Helnwein, "Lulu", 1988
La Géante
Du temps que la Nature en sa verve puissante
Concevait chaque jour des enfants monstrueux,
J'eusse aimé vivre auprès d'une jeune géante,
Comme aux pieds d'une reine un chat voluptueux.
Concevait chaque jour des enfants monstrueux,
J'eusse aimé vivre auprès d'une jeune géante,
Comme aux pieds d'une reine un chat voluptueux.
J'eusse aimé voir son corps fleurir avec son âme
Et grandir librement dans ses terribles jeux;
Deviner si son coeur couve une sombre flamme
Aux humides brouillards qui nagent dans ses yeux;
Et grandir librement dans ses terribles jeux;
Deviner si son coeur couve une sombre flamme
Aux humides brouillards qui nagent dans ses yeux;
Parcourir à loisir ses magnifiques formes;
Ramper sur le versant de ses genoux énormes,
Et parfois en été, quand les soleils malsains,
Ramper sur le versant de ses genoux énormes,
Et parfois en été, quand les soleils malsains,
Lasse, la font s'étendre à travers la campagne,
Dormir nonchalamment à l'ombre de ses seins,
Comme un hameau paisible au pied d'une montagne.
Dormir nonchalamment à l'ombre de ses seins,
Comme un hameau paisible au pied d'une montagne.
— Charles Baudelaire
The Giantess
At the time when Nature with a lusty spirit
Was conceiving monstrous children each day,
I should have liked to live near a young giantess,
Like a voluptuous cat at the feet of a queen.
Was conceiving monstrous children each day,
I should have liked to live near a young giantess,
Like a voluptuous cat at the feet of a queen.
I should have liked to see her soul and body thrive
And grow without restraint in her terrible games;
To divine by the mist swimming within her eyes
If her heart harbored a smoldering flame;
And grow without restraint in her terrible games;
To divine by the mist swimming within her eyes
If her heart harbored a smoldering flame;
To explore leisurely her magnificent form;
To crawl upon the slopes of her enormous knees,
And sometimes in summer, when the unhealthy sun
To crawl upon the slopes of her enormous knees,
And sometimes in summer, when the unhealthy sun
Makes her stretch out, weary, across the countryside,
To sleep nonchalantly in the shade of her breasts,
Like a peaceful hamlet below a mountainside.
To sleep nonchalantly in the shade of her breasts,
Like a peaceful hamlet below a mountainside.
— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)
Case of Those Old Blues
For all of you Scufflists and Scufflettes with a case of those old blues...the time has come. Scufflemania has arrived.
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